I took this photo in
the Forest of Dean last Sunday. I love the forest. When I was a
little girl I stayed with my grandmother in Berryhill, not far from
Symonds Yat. My house in the Czech Republic is only fifteen minutes
walk from the forest. When I can’t write, I take a basket and
wander through the trees looking for mushrooms.
Wednesday 17 October 2012
Sunday 14 October 2012
Desert Island Books - Earthsea books
A superb four-part
fantasy, comparable with the work of Tolkien and C.S. Lewis, the
“Earthsea” books follow the fortunes of the wizard Ged from his
childhood to an age where magic is giving way to evil. As a young
dragonlord, Ged, whose use-name is Sparrowhawk, is sent to the island
of Roke to learn the true way of magic. A natural magician, Ged
becomes an Archmage and helps the High Priestess Tenar escape from
the labyrinth of darkness. But as the years pass, true magic and
ancient ways are forced to submit to the powers of evil and death.
Goodreads description
I managed to not read
Ursula Le Guin’s books as a child and a teenager. It was not until
my student son read The Wizard of Earthsea and told
me that I would love it, that at last I settled down with the book.He
was right, I loved it and all the other Earthsea books. Why, oh why
did I wait so long? Maybe because I wrongly thought of them as
children’s books. They can be read by children, but an adult reader
will get so much more from Le Guin’s writings. What makes Le Guin
so special?Le Guin has a genius for world creation – Earthsea
feels like somewhere I know and will know. Sometimes, as with my own
fictional worlds, I come upon a place in this world which is
Earthsea. Of course every reader will have a different Earthsea; Le
Guin is brilliant at giving enough but not too much description so
that we each can see our own vision. The same is true of the
descriptions of her characters. I have an image of each, but what I
remember tends not to be their physical appearance, but their
thoughts, motives, loves and fears. For all Le Guin’s genius in
world-making, she writes about humanity.
I love the way she is
able to create fantastic worlds which allow her to explore big
issues. In the Wizard of Earthsea, the first Earthsea
book, the young hero makes an error of judgement and must face the
consequences. In Jungian psychology all that we dislike and repress
about ourselves is called our shadow. In order to be fully mature we
must turn, face it and name it, something most of us fail to do. This
happens quite literally in the Wizard of Earthsea. There
are other similarly important themes in her other books.I had been a
poet, playing with symbols and metaphors. Le Guin showed me that this
was possible in a novel too and that it was possible to do this
whilst telling a good story.
Ursula Le Guin inspired
me to start writing novels. And she even provided the best book I
know on writing – Steering the Craft.
This
morning my new book Love of Shadows had its first
review on Amazon and
Goodreads. In it the reviewer says that she thought the series
“similar to Ursula Le Guin’s books set in the fictional country
of Orsinia”. I could not be more honoured by a comparison.
Monday 8 October 2012
Photo Inspiration - Olsina
This is a photo of Lake
Olsina in Southern Bohemia. I can walk here from my Czech house. It’s
a very special place for me. It is set in a natural bowl formed by
the surrounding hills. One of its attractions is that it is
undisturbed. Much of the surrounding forests are in a military zone,
which means that it is accessible only at weekends and that building
is restricted in the locality.
The lake is man-made –
a renaissance fishpond, which is still farmed today. Every other
Autumn (in October or November) the sluices are opened and the lake
drained. The carp are herded into the nets of the waiting fishermen.
My friend Hannah had an old cottage next to the lake and I stayed
with her one year, waking at 6 to watch the harvest. Crowds gathered
to watch and buy fresh fish. When everyone had gone, it was the turn
of the water birds to arrive – gulls of course, but also herons and
white egrets.
At other times I have
watched the mating dance of crested grebes rising and bowing on the
still surface of the lake. In the summer Hannah and I would go
swimming in the lake’s now warm waters, with the carp blowing
bubbles around us or we would wander into the forest to collect wild
mushrooms.
On the day of Hannah’s
funeral I came to Olsina and launched a little paper boat on the
waters in remembrance of her. In the boat’s prow I set a picture
she had painted of a man waving. The boat bobbed in the current
before disappearing round a small headland. My farewell said, I
returned to my car and drove home. Later when I looked closer at the
picture I saw that it was titled “Crossing Lethe.”
Sunday 7 October 2012
Desert Island Books - Weirdstone of Brisingamen
A
tale of Alderley
When
Colin and Susan are pursued by eerie creatures across Alderley Edge,
they are saved by the Wizard. He takes them into the caves of
Fundindelve, where he watches over the enchanted sleep of one hundred
and forty knights.
But
the heart of the magic that binds them – Firefrost, also known as
the Weirdstone of Brisingamen – has been lost. The Wizard has been
searching for the stone for more than 100 years, but the forces of
evil are closing in, determined to possess and destroy its special
power.
Colin
and Susan realise at last that they are the key to the Weirdstone’s
return. But how can two children defeat the Morrigan and her deadly
brood?
Amazon
description
This
(and Moon
of Gomrath,
the second book in the Alderley trilogy) has to be my all-time
favourite book from my childhood. I remember arguing with my
teacher Elizabeth Webster that Alan Garner’s stories were better
than Tolkien’s.
What
makes this so great is the authenticity of the stories – they are
based on real localities (Alderley Edge) and local myths. They are
fantasy, but their roots are in the hills of Cheshire and British
mythology. Garner arguably gave me my first introduction to magic
realism, the genre in which I write. I could have chosen other books
by this writer – The
Owl Service, Elidor and
of course the great Red
Shift,
but Weirdstone was
how I first experienced Garner’s work and so it holds a special
place in my heart.
Whether the book had
such a strong hold on me (which it retains) because it chimed with my
vision of the world – history and myth woven in to the present –
or because it informed my view is impossible to say now. But I read
this book over and over again throughout my childhood, delighting in
Garner’s wonderful descriptions – the account of Colin and
Susan’s journey through the disused mineworkings of the Edge beats
the journey through the Mines of Moria into a cocked hat.
After
many years Garner has just published the sequel – a book for adults
called Bonelands.
It’s on the list of what I want for Christmas. That’s if I can
wait that long.
Wednesday 3 October 2012
My fox - World Animal Day Blog Hop
The first thing I do
when I arrive back at my house in the Czech Republic, even before I
unlock the door, is rub the muzzle of the fox door knocker. It is an old farmhouse on a hill called Liski Dira (Fox Hole in
Czech) and the house is just like a fox with its haunches buried into
the earth. As I lie in bed at night sometimes I can hear a vixen
calling in the orchards above. The village dogs respond with frantic
barking, but you can hear the fox laughing at them. “You have sold
your freedom for a bowl of meat,” she says. “I have the moon and
all the dark spaces in the forest.”
When I first bought the
house I didn’t see any foxes, perhaps I was too busy restoring the
house. I certainly wasn’t writing, although I had bought the house
as a writing retreat. One evening as a taxi brought me from the
station a fox crossed the road in the headlamp beam. “Liska,”
said the driver with a smile. The following day I walked down from
the woods with a basket of chanterelle mushrooms, called lisky
(foxes) in Czech. It had started raining as I picked them and now it
was sheeting down, so my head was bowed. Then I looked up and there
standing in the middle of the lane a few yards away was a large fox
looking straight at me. It contemplated me for a while and then
trotted off across the fields. When we lived in London we were used
to the brazen nature of town foxes, and even had a family of
them sharing the garden with our cat, but in the countryside foxes
are shy of humans. I told my Czech friend about the meetings with the
fox. “That’s wonderful,” she said. “Foxes are lucky in this
country, just like black cats in England. No wonder the taxi driver
was pleased when a fox crossed your path. They are meant to be the
familiars of witches, you know.”
After that sighting,
the fox started to appear to me all the time and as it did so I began
to write again. It seemed the fox was now my familiar and a bringer
of words. Then during one stay in the house I didn’t see my fox at
all and yet I still managed to write. My husband was visiting from
the UK and as we stood in the back bedroom I commented on my fox’s
absence. He grinned and said “Zoe turn round and look out of the
window.” There, only a few feet away from us, my fox was strolling
through the orchard.
Tuesday 2 October 2012
Toadstools - Photo Inspiration
How about these for
classic fairytale toadstools? You can almost see one of the little
people sitting on the top of them, can’t you? Fly agaric is the
correct name. It’s not for eating, in fact a good rule is not to
eat red mushrooms. Fly agaric is a hallucinatory mushroom and
eating it is said to give you the sensation of flying. It is a
therefore part of many a shaman’s toolkit.
There are tales of
reindeer eating the mushroom and staggering around trying to fly.
Maybe Rudolf had eaten one too many!
Tuesday 18 September 2012
Magic Realism Blog
Just after I had
published Girl in the Glass I went to an alternative
literature festival in Leicester. I was still incredibly green about
publishing and was unclear what sort of story I was writing. I knew
it didn’t fit neatly into the usual genre headings that one gets on
Amazon. I had got as far as knowing that it was a) women’s fiction
and b) not quite fantasy. I was having a soup for lunch when I got
chatting to another writer, who asked me what I wrote. I gave a short
description and he repled “Oh you write magic realism.”
“What’s
that?” I asked.
“Well
Terry Pratchett described it as fantasy for people whose friends went
to Oxbridge.”
“Oh,”
I said thinking that indeed many of my friends were graduates of
Oxford or Cambridge.
I wrote the genre down
on a piece of paper, stuffed it in to my handbag and continued
eating. When I got home, I could not find the paper nor could I
remember what genre he had said I wrote.
A month or so later I
found a review of the book on Amazon. The reviewer Iain M. Grant
said:
“Zoe Brook’s novel is a true magic realist story. Its setting is a world that is not ours but is nonetheless recognisable. It is a novel in which the almost magical and vaguely supernatural are an accepted reality. Reading it, I couldn’t help but be reminded favourably of other authors. The setting and Anya’s sprawling and occasionally grotesque family put me in mind of Gabriel Garcia Marquez. Having said that the harsh, epic landscape of the story and the fable-like quality of a narrative held shades of Paulo Coelho.”
“Zoe Brook’s novel is a true magic realist story. Its setting is a world that is not ours but is nonetheless recognisable. It is a novel in which the almost magical and vaguely supernatural are an accepted reality. Reading it, I couldn’t help but be reminded favourably of other authors. The setting and Anya’s sprawling and occasionally grotesque family put me in mind of Gabriel Garcia Marquez. Having said that the harsh, epic landscape of the story and the fable-like quality of a narrative held shades of Paulo Coelho.”
Lawks a mercy me!
Marquez’s One Hundred Years of Solitude is one of
my all-time favourite books. Now armed with the name of the genre I
did a Google search and discovered not only that I wrote magic
realism, but that I had been reading it for years and not knowing it.
There still seemed to be a lot ambiguity in my mind about what
constituted magic realism, but I think this was because the term gets
used wrongly. I decided that I would get to know my genre better. But
how would this be achieved?
I knew that in order to
do it properly I should set myself a task, one which is public and
which I would feel obliged to complete. So I decided I would read one
magic realist book a week for a year and that I would record my
progress and what I found out about magic realism publicly on a
dedicated blog. For the purposes of selecting books for the blog I
chose the simplest definition I could find.
It’s now a month
since I started and I’m loving it. I have drawn up a to-read list,
following suggestions taken mostly from Goodreads, where there are at
least two Magic Realism groups and several booklists. The books are
very diverse – some literary, some for the popular market – which
adds to my enjoyment. The requirement that I review what I read has
proved extremely useful in solidifying my thoughts on the book and
the genre.
So after all that work
what is magic realism? I’m glad to say that the definition I chose
is still remaining true: “Magical Realism is a literary genre that
incorporates fantastic or mythical elements into otherwise realistic
fiction.”
Please
do visit the Magic Realism blog and check it out, better still join
me in my challenge or at least part of it. It’s
on https://magic-realism-books.blogspot.co.uk
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