Just after I had
published Girl in the Glass I went to an alternative
literature festival in Leicester. I was still incredibly green about
publishing and was unclear what sort of story I was writing. I knew
it didn’t fit neatly into the usual genre headings that one gets on
Amazon. I had got as far as knowing that it was a) women’s fiction
and b) not quite fantasy. I was having a soup for lunch when I got
chatting to another writer, who asked me what I wrote. I gave a short
description and he repled “Oh you write magic realism.”
“What’s
that?” I asked.
“Well
Terry Pratchett described it as fantasy for people whose friends went
to Oxbridge.”
“Oh,”
I said thinking that indeed many of my friends were graduates of
Oxford or Cambridge.
I wrote the genre down
on a piece of paper, stuffed it in to my handbag and continued
eating. When I got home, I could not find the paper nor could I
remember what genre he had said I wrote.
A month or so later I
found a review of the book on Amazon. The reviewer Iain M. Grant
said:
“Zoe Brook’s novel is a true magic realist story. Its setting is a world that is not ours but is nonetheless recognisable. It is a novel in which the almost magical and vaguely supernatural are an accepted reality. Reading it, I couldn’t help but be reminded favourably of other authors. The setting and Anya’s sprawling and occasionally grotesque family put me in mind of Gabriel Garcia Marquez. Having said that the harsh, epic landscape of the story and the fable-like quality of a narrative held shades of Paulo Coelho.”
“Zoe Brook’s novel is a true magic realist story. Its setting is a world that is not ours but is nonetheless recognisable. It is a novel in which the almost magical and vaguely supernatural are an accepted reality. Reading it, I couldn’t help but be reminded favourably of other authors. The setting and Anya’s sprawling and occasionally grotesque family put me in mind of Gabriel Garcia Marquez. Having said that the harsh, epic landscape of the story and the fable-like quality of a narrative held shades of Paulo Coelho.”
Lawks a mercy me!
Marquez’s One Hundred Years of Solitude is one of
my all-time favourite books. Now armed with the name of the genre I
did a Google search and discovered not only that I wrote magic
realism, but that I had been reading it for years and not knowing it.
There still seemed to be a lot ambiguity in my mind about what
constituted magic realism, but I think this was because the term gets
used wrongly. I decided that I would get to know my genre better. But
how would this be achieved?
I knew that in order to
do it properly I should set myself a task, one which is public and
which I would feel obliged to complete. So I decided I would read one
magic realist book a week for a year and that I would record my
progress and what I found out about magic realism publicly on a
dedicated blog. For the purposes of selecting books for the blog I
chose the simplest definition I could find.
It’s now a month
since I started and I’m loving it. I have drawn up a to-read list,
following suggestions taken mostly from Goodreads, where there are at
least two Magic Realism groups and several booklists. The books are
very diverse – some literary, some for the popular market – which
adds to my enjoyment. The requirement that I review what I read has
proved extremely useful in solidifying my thoughts on the book and
the genre.
So after all that work
what is magic realism? I’m glad to say that the definition I chose
is still remaining true: “Magical Realism is a literary genre that
incorporates fantastic or mythical elements into otherwise realistic
fiction.”
Please
do visit the Magic Realism blog and check it out, better still join
me in my challenge or at least part of it. It’s
on https://magic-realism-books.blogspot.co.uk
No comments:
Post a Comment