Winner - EPIC Ebook awards

My poem for voices Fool’s Paradise has won the best Poetry Book category in the EPIC (The Electronic Publishing Industry Coalition) ebook awards. 

Blurb:Three travellers meet a fool and his dog on the road to a great city. This long poem for multiple voices follows the divine fool and his companions on a journey to hell itself.

Poem -The Breaking of the Blood

The Breaking of the Blood

It is very clear to me,

as it is clear to all of us,

that memory

of the first trace of blood.

It was a surprise,

as it is always a surprise,

for each woman

who comes upon herself

with the breaking of the blood.

And I thought as I gazed

at my blood upon the water 

of the time

when reaching 

into fine white snow

my hand found glass.

I thought

of a child’s fairytale

of a queen at a window

wishing herself a child

snow-white

and lips of blood. 

This poem was first published in Grandchildren of Albion ed. Michael Horovitz

Ghost at the Feast - Meet the Family Bloghop

Our family has its very own ghost of Christmas past – her name is Betsy Hilda Morrison and she was my grandmother. She died thirty years ago, but she wouldn’t miss Christmas for the world (or otherworld in her case). She stands like a beaming Yoda at the end of The Jedi Returns benevolently looking on as the family continues the traditions she established.

Betsy, or Bessie as she was known, loved Christmas – she looked forward to it from one year to the next. If she had had her way the Christmas decorations would have stayed up until Easter, but my Aunt Zoe insisted on taking them down at Twelfth Night. Christmas Day was not enough for Bessie. On Christmas Day she and Aunty would arrive complete with presents at our house in time for Christmas lunch and leave in the evening. But on Boxing Day the process was reversed, we went to their house and what would you know – Father Christmas always seemed to get horribly confused because he had filled stockings for us there too! So we had Christmas twice, thanks to Betsy Hilda. When Boxing Day was over Betsy would look forward to the next big event – the trip to the January Sales at which she would buy Christmas presents.

Anyone meeting my charming grandmother could be easily be mistaken into thinking this little woman with white hair she referred to as “baby’s bum fluff” was a sweet old dear. But behind her considerable charm was a formidable mind and memory and a will of iron. Betsy was a matriarch of the first order and God help anyone who wronged her or hers. This killer instinct came in very useful in the run-up to Christmas as Granny did the rounds of the local whist drives. She never came away without winning something. Her memory and head for figures making her virtually unbeatable with a good partner. I remember regularly getting into my Aunt’s car to be told “Your Granny’s won another turkey!”

When Betsy died, my Aunt continued the tradition of the family Boxing Day although by now Father Christmas was mistakenly delivering presents for the next generation. No longer oversupplied with turkeys Aunt would bone and stuff ducks for Boxing Day, which were to my mind preferable to turkey. And when Aunt Zoe died, it was my turn to take on Betsy’s baton and celebrate our very special Boxing Day.

We live in Aunt Zoe’s house and when we started going through her things I found the Christmas Box. In it were the Christmas tree decorations with which we used to adorn the tree, taking orders from a seated Betsy. Also in the box were supplies of wrapping paper and labels, which dated back twenty five years to a time when Betsy had had a corner shop in the Forest of Dean, and which, when Betsy had retired, had come with her to her new home. I still have the labels, I don’t use them – they are far too old fashioned – but “waste not, want not,” as my Granny would say. 

Born at the end of the nineteenth century, Betsy was brought up by her grandparents and used to keep me enthralled with her memories of a very Victorian childhood, including memories of Christmases of that very different time. Memories of a stocking which might if you were lucky contain an orange no doubt inspired her in making her family’s Christmas so abundant.This blog post is part of the Meet The Family Blog Hop. 

My other blogs

It’s a while since I wrote about my other blogs. You might think one is enough and maybe I could have combined them in one large Zoe Brooks blog, but the content and approach is so diverse that it didn’t and still doesn’t make sense to me.

The first blog I ever created and which is still going is my blog Adventures in the Czech Republic.
It’s all about how I came to visit and fall in love with the Czech Republic, so much so that a few years ago I bought a house there/here. It is the place where I write all my books. The process of writing this blog in many ways brought me back to writing, I had virtually given up for about a decade. In fact I would recommend blogging as a quick, easy and not too demanding way of beginning to write. The secret is to create a blog on a subject you are passionate about. The blog allowed me to be lyrical and chatty, to write about my observations of this wonderful country and people and share those observations with others.

A more recent blog is my Magic Realism blog.
This I set up as a book blog in which I monitor my progress on my magic realism challenge. I am reading and reviewing one book a week for a year from a list of magic realism books which I have drawn together from various authoritative lists. The reviews all are on the blog as is the reading list. Part of the fun of this is trying to work out what is magic realism. So far I have decided that it isn’t actually a genre, but more of an approach to storytelling. This view will no doubt evolve as the challenge progresses. Why magic realism – well because I was told by several people that I wrote it and had no idea that I did so.

Photo Inspiration - the Severn Bore

My novel Mother of Wolves is set in an imaginary landscape along a great river. It will not be a surprise to those of you who know that I live in Gloucestershire that the river which had most influence on my imagination was the Severn.

A turning point in the book is when the heroine Lupa uses the river’s Autumn bore to her advantage. It was inspired by a trip to watch the Severn bore one very chilly morning. It proved impossible to photo properly, so this must suffice. The force of the tide is unimaginable. It is able to reverse a river’s natural flow and form so powerful a wave that it crashes into a bank like this. As you can guess I went away inspired.

Tuesday Photo Inspiration - TheWood Witch

I came across the witch in the woods above my Czech house. She is actually a stump of a tree which tumbled in a high wind. I was walking lost in thought when I turned a corner and saw her through the trees. She made me jump, I don’t mind telling you. She’s vanished now into the rich earth of the forest.

Poems for multiple voices

When Carolyn Howard Johnson reviewed my poetry book Fool’s Paradise as “Very experimental. Wholly original” I was surprised. Of course I don’t think of what I write as particularly original, what I write feels normal.  So Caroline’s review made me think, after all Caroline is a multi award-winning poet.

As I have said in previous post I was blessed with being taught by an inspiring creative English teacher – Elizabeth Webster – who introduced me to the work of some wonderful and great poets. In particular she introduced me to the work of the British poets of the early to mid twentieth century – T S Eliot, Dylan Thomas and Louis MacNeice. And surprise, surprise the works she first introduced me to were all verse plays: Murder in the Cathedral by T S Eliot, Under Milk Wood by Dylan Thomas and The Dark Tower by Louis MacNeice. 

Those early readings were etched into my memory and, I suspect, my poetic DNA. Every year at this time on the cusp of winter I find myself repeating the lines from the opening chorus of Murder in the Cathedral:
Since golden October declined into sombre November
And the apples were gathered and stored, and the land became brown sharp points of death in a waste of water and mud

What is more under her direction I acted in a number of verse plays – including Under Milk Wood and plays by another British verse play writer Christopher Fry. Plays like Under Milk Woodand Louis MacNeice’s Dark Tower were written to be performed on radio, the BBC was a major sponsor of verse drama. But the roots of poetic dramas are deep in the beginnings of theatre. When I was twelve or thirteen I performed in a production of Alcestis by Euripides, first performed in the 5th century BC. I can still remember some of the lines:Daughter of Pelias fare thee well. May joy be thine in the sunless houses.

Just listen to the cadences in that one line. And of course there was Shakespeare. I was playing Caliban in The Tempest at the age of twelve, loving the poetry in the play (Caliban has the isle is full of voices speech) and realizing how verse can by woven into drama. Later I was to play Viola in Twelfth Night – another character with some great poetry. 

The poetry group at the Arts Centre, which Elizabeth ran and of which I was a member, gave regular readings and in one of these we performed MacNeice’s The Dark Tower and in another extracts of Blood Wedding by Spanish poet Federico Garcia Lorca. The poetry group with its emphasis on reading aloud taught me the importance of poetry as performance. Some of the best poems, even when not written to be read by different voices, are dramatic. And some, such as Eliot’s Four Quartets, although not written as plays nevertheless have different voices woven into them. My long poem called Poem for Voices, is the same.

You can see why writing poetry for different voices is so natural to me.  I don’t always write for voices, many of my poems are to be spoken by one voice. But writing for voices allows me to explore textures, emotions and forms in a unique way. This approach, which was once so prevalent, is now so unusual that Carolyn comments on it. Have I developed it further? I don’t know. It’s just how I write sometimes. But then it does seem to me that if people claim their work is original and experimental it almost certainly isn’t.